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5 Women Artists in the Whatcom Museum’s Collection: Doris Totten Chase

By Colton Redtfeldt, Marketing Assistant

Inspired by the National Museum of Women in the Arts’ challenge, “Can you name five women artists?” the Whatcom Museum is continuing the tradition it started last year and highlighting five female artists whose work is featured in our collection throughout the month of March—Women’s History Month. Follow us on social media and share our posts with your followers, or tell us your favorite women artists. Don’t forget to tag your posts #5WomenArtists.

Doris Totten Chase; Sun Disc, 1980; Silkscreen print, 22 x 30 in. Gift of Doris Totten Chase, Whatcom Museum # 2003.51.12.

Artist #3: Doris Totten Chase 

Doris Totten Chase was an influential figure in early computer-generated art. Her early experimentations helped defined the future of the medium and expressed themes about the lives of women.

Chase was born in Seattle on April 29, 1923. In 1941 she graduated from Roosevelt High School and began to study architecture at the University of Washington. It wasn’t long after this that she met Elmo Chase, a lieutenant in the US Navy, and dropped out in 1943.

Chase’s introduction to the art world came after the birth of her first child. After suffering from an emotional breakdown, Chase decided to explore new interests and discovered a talent for painting.

She originally studied oil panting under prominent Northwest artists like Jacob Elshin, Nickolas Damascus, and Mark Tobey. She found her first success in 1948 when one of her paintings was accepted into the Seattle Art Museum’s Northwest Annual Exhibition.

Chase continued to work in the Pacific Northwest and make a name for herself, coming up against many biases that affected Northwest women artists at the time. Gradually, she shifted mediums, going from oil painting to cement work to outdoor sculptures. Her artwork began to include interactive elements that invited viewers to move the art around for further exploration. One of her more recognized pieces was the sculpture Changing Form, in Kerry Park on Queen Anne Hill in Seattle. The sculpture, which was made at a time when sculpting was considered a man’s art, became one of Seattle’s most widely recognized pieces of art. Read more